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Yasukichi visits Mount Kamuriki where, according to the ubasute legend, in the past old people were taken by their children and left to die. Later, he attends a bar run by a woman with whom he had an affair years ago after the death of his wife. He defecates in his clothes and is thrown out by the bar owner. Lying on the pavement, he is run over by a man on a bicycle, who turns out to be a doctor and takes him to the hospital. The doctor rings up Yasukichi's eldest daughter Tokuko, who lives with her father. She is first reluctant to take him home, arguing that she is suffering from bipolar disorder, but eventually gives in. Yasukichi has stolen a book from the hospital about the ubasute custom,[a] and begins reading it to Tokuko. The book's story, about 70-year-old widow Okoma making preparations to be taken to Mount Kamuriki by her eldest son, is told in interspersed black-and-white sequences.
Unwilling to die on Mars, he combines science with willpower to do everything he can to live as long as he can, hoping to survive the next four years until Earth's next visit to Mars. He keeps a video diary all the while, which is both insightful and humorous.
Isn't it funny how most of the best survival movies are based on true events? That only adds to our sense of shock and admiration. Danny Boyle's 127 Hours is one of the most brutal examples, showcasing just how powerful the human will to live can be.
Alan Menken, who worked on the music for the original film, returns for the new movie, which will include songs from Menken and Disney lyricist Howard Ashman. There will also be new songs from Menken and Lin-Manuel Miranda.
Disney is working on a live-action version of its first animated classic. Marc Webb ("The Amazing Spider-Man") directs the upcoming adaptation with "West Side Story" star Rachel Zegler playing the iconic Disney princess. Gal Gadot assumes the role of her stepmother, the Evil Queen.
Disney's successful 2019 adaptation of "The Lion King" is getting a prequel. During its 2020 investors day presentation, Disney confirmed that Oscar-winning director Barry Jenkins ("Moonlight") will direct the follow-up.
"'Mufasa' is the origin story of one of the greatest kings in the history of pride lions," director Barry Jenkins told fans at 2022's D23 Expo, saying that the film will be told in different time frames as it shifts between the present and past.
According to Deadline, a live-action version of Disney's 1996 movie about an orphaned Quasimodo living in the bell tower of Notre Dame is in the works. Alan Menken and Stephen Schwartz, who teamed up on "Pocahontas," will write the music, while Josh Gad ("Frozen") is producing.
Deadline reports the live-action film will adapt both the 1996 Disney film and the Victor Hugo novel. It's not clear whether or not the remake will be for Disney's streaming service or a theatrical release.
Disney released two popular direct-to-video sequels for "Aladdin" in the '90s, including "The Return of Jafar" and "Aladdin and the King of Thieves." Variety reports the sequel will be completely original and not based on the straight-to-video films.
Danny DeVito and James Woods lent their voices in the animated film. Ariana Grande performed a solo six-part harmony of the movie's "I Won't Say I'm In Love" in 2020, prompting many fans to suggest she'd be the perfect Meg. It's unclear at this time whether or not music will be a part of the film.
According to Variety, the remake of the 1942 film won't be live-action with a real deer, rabbit, and skunk. Disney will utilize the technology that helped bring "The Lion King" remake to life to look photorealistic.
The Hollywood Reporter wrote about a movie in 2015 that would star Reese Witherspoon. If the live-action "Peter Pan" movie performs well, there's still room for Yara Shahidi to get her own spinoff film.
In 2010, Alice went to Wonderland and kicked off Disney's recent crop of live-action revivals of the studio's classic films. Based on Lewis Carroll's fantasy novels and inspired by 1951's animated Alice in Wonderland, the Tim Burton-directed film starred Mia Wasikowska as Alice alongside a star-studded cast of Wonderland characters (Johnny Depp as the Mad Matter, Helena Bonham Carter as the Red Queen, Anne Hathaway as the White Queen, and the voices of Alan Rickman, Michael Sheen, and more). Alice was a box office smash, earning more than $1 billion worldwide, and its sequel, Alice Through the Looking Glass, arrived in theaters on May 27, 2016.
Lily James stepped into Cinderella's iconic glass slippers in 2015 for a live-action retelling of Disney's 1950 film, with Game of Thrones' Richard Madden as her charming prince, Helena Bonham Carter as the fairy godmother, and Cate Blanchett as her wicked stepmother. Directed by Kenneth Branagh from a screenplay by Chris Weitz (who also wrote Rogue One: A Star Wars Story), the film cast a spell on filmgoers and brought in $542.4 million at the global box office.
Tim Burton already brought his fantastical style to the 2010 live-action Alice in Wonderland, and in 2019, he headed to the circus with a new take on Dumbo. Colin Farrell stars as a former horse showman who returns from World War I to work at a circus on the verge of financial ruin (run by Danny DeVito). There, he and his two children cross paths with the titular flying elephant.
If Emma Stone doesn't scare you, no evil thing will. Glenn Close may have played the dog-napping Cruella De Vil in the 1996 live-action 101 Dalmatians, but Stone starred in this 2021 prequel, which explored Cruella's origins inside the world of high fashion.
For yet another live-action remake, Disney is following the second star to the right for a new retelling of J.M. Barrie's classic. David Lowery, who directed Pete's Dragon, will helm the new film Peter Pan & Wendy, which he's also co-writing with Toby Halbrooks. Ever Anderson and Alexander Molony will play Wendy and Peter, with Jude Law donning Captain Hook's plumed hat.
We're headed back under the sea: grown-ish star Halle Bailey (one-half of R&B sister act Chloe x Halle) has been cast as the mermaid Ariel in the new musical retelling of The Little Mermaid. Rob Marshall of Mary Poppins Returns is directing the film, which will feature both familiar tunes from Alan Menken and Howard Ashman and new songs written by Menken with lyrics by Lin-Manuel Miranda.
For another live-action adaptation, Disney is going all the way back to its first-ever animated movie: 1937's Snow White and the Seven Dwarfs. In October 2016, news broke that the studio was planning a new live-action musical about the fairest of them all, with Girl on the Train writer Erin Cressida Wilson in negotiations to write the script. Since then, Little Women director Greta Gerwig has also come on as a co-writer, and Mark Webb has joined as the film's director. The plan is to expand upon the original story and music from the 1937 film, with La La Land lyricists Benj Pasek and Justin Paul on board to write the movie's new songs. West Side Story star Rachel Zegler has been cast in the lead role.
Say aloha (again) to Lilo & Stitch: In October 2018, news broke that Disney was developing a live-action version of the 2002 film, chronicling the friendship between a young Hawaiian girl and a chaotic blue alien.
Quasimodo returns! A live-action version of The Hunchback of Notre Dame is also in the works, inspired by the 1996 animated film and the original Victor Hugo novel. Tony winner David Henry Hwang is writing the script, with original composer Alan Menken and lyricist Stephen Schwartz back on board as well.
The residents of Sherwood Forest are also getting the live-action treatment: A remake of Robin Hood is in development, with Blindspotting director Carlos López Estrada on board. It'll debut exclusively on Disney+.
The hero who puts the glad in gladiator is also getting a live-action remake. Dave Callaham (who wrote Marvel's upcoming Shang-Chi and the Legend of the Ten Rings) wrote the first draft of the new script with Avengers: Endgame directors Joe and Anthony Russo serving as producers and Guy Ritchie coming on as the project's director. Our biggest question: Who will voice the Muses?
Godard. We all went to Jean-Luc Godard in the 1960s. We stood in the rain outside the Three Penny Cinema, waiting for the next showing of "Weekend" (1968). One year the New York Film Festival showed two of his movies, or was it three? One year at the Toronto festival Godard said, "The cinema is not the station. The cinema is the train." Or perhaps it was the other way around. We nodded. We loved his films. As much as we talked about Tarantino after "Pulp Fiction," we talked about Godard in those days. I remember a sentence that became part of my repertory: "His camera rotates 360 degrees, twice, and then stops and moves back in the other direction just a little_to show that it knows what it's doing!"
It tells the story of Nana, played by Anna Karina, who was Godard's wife at the time. With her porcelain skin, her wary eyes, her helmet of shiny black hair, her chic outfits, always smoking, hiding her feelings, she is a young woman of Paris. The title shots show her in profile and full face, like mug shots, and we will be looking at her for the whole movie, trying to read her, for she reveals nothing willingly. Each shot begins with Michel Legrand music, which stops abruptly, to begin again with the next shot_as if to say, the music will try to explain, but fail. In the next shots we see her from behind, in a cafe, as she talks to a man, Paul. We learn he is her husband, that she has left him and their child, that she has vague plans to go into the movies.
If she thinks, will it kill her? We notice her openness, her curiosity, in talking to the old man. This from a woman who has been reluctant to reveal any thoughts or feelings, who has been all surface. We are reminded of a story Paul told earlier in the film, about a child who explained that if you take away the outside of a chicken, you have the inside, and if you take away the inside, you have the soul. Nana is all outside. 2b1af7f3a8